I am also constantly sharing my process on Instagram as erinmriley. There is a certain warming up a buyer has to do to commit. I am quite keen to do an interview with her, so I got in touch with them, and their founder gave me a call this afternoon We have interviewed Erin M Riley twice on Empty Kingdom, making this a hat trick, so it is no surprise that she will be gracing the Empty Kingdom Art Show with a few of her pieces. Chauntrice Riley-Stanford joined Pre-Health and Pre-Law Advising in April 2016. My work takes from a week to a month to weave, I work 12-14 hour days, every day and I also mix and dye my colors, plus all other prep. I am continuing a series of large works (243 x 243cm) that I started this year and hope to show some of them in 2016. Yea. by the blind architect - December 1, 2012. And now for the interview. I'm a husband, father, brother, stranger, friend, actor and director. She took some time out of her busy schedule to conduct this exclusive interview with us. People often refer to my work as sexy, exciting, salacious. Your worst habit: Do you consider yourself an artist and do you think a title such as ‘artist’ is beneficial or restrictive? I am taking the time to recreate these images as physical tapestries, because these are the events and objects that are significant to me. Today, I have Erin on the Blog with whom I had the chance to chat about writing, her TRUE Believers Boys, Sequels and more ! I was taking them or asking old boyfriends for theirs and presenting tapestries of myself alongside the other women to see how I felt, like could I go through with making these pieces public. Interview: Can you tell us a little bit about you and your family Jesse: I've been married for 8 years (my wife and I have been together for 9), with 3 children. Established in 2011 in Seoul, South Korea. But maybe in the future. The progress women made in the 1970s and 1980s in accessing positions of power and authority slowed considerably in the 1990s and has stalled in this century (Stainback and Tomaskovic-Devey, 2012).In 2013, 14.6 percent of executive officers in Fortune 500 companies were women, down from their 15.7 percent share in 2002 (Catalyst, 2006, 2014).In professional service firms, as well, … Established in 2011 in Seoul, South Korea. Erin M. Riley – Alone Alone, 2014, Hand woven tapestry, hand dyed wool on a cotton warp, 121.9 x 94 cm, Erin M. Riley – Portrait of a Father 3, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 61 x 45.7 cm, Erin M. Riley – Three Strikes, 2010, Hand woven tapestry, hand dyed wool on a cotton warp, 91.4 x 63.5 cm, Erin M. Riley – Ultra Thin, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 81.3 cm, Erin M. Riley – Crimson Landslide, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 132.1 cm, Erin M. Riley – $20, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 134.6 cm. “An Interview with Erin M. Riley”, Juxtapoz Magazine, March 10 2015 Tamara Santibanez, “Erin Riley”, Interviews, Discipline Press January 2016: 1-6 Michael Slenske, “Art Talk: Knots Landing”, The Wall Street Journal Magazine September Virtual Reality // Digital Intimacies, Physical Objects: An Interview with Erin M Riley. Sister Corita Kent's Rules For Creatives - Why they matter today, Damien Hirst's Spot Paintings - Trivial or inspiring? She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. Do Ho Suh recreated entire apartment in museum, Yeesookyung’s ceramic vases: Imperfection & surprising results, The 10 best works of Shanghai’s West Bund Art Fair 2019. People hate dealing with hard subjects. Think of me as a painter who uses yarn. Strangers? How did you first learn to start weaving? The other women I wove always had felt like reflections of myself, but after I had gone down the road of weaving myself nude, weaving my tattoos and my breasts many different times, these girls were me. The clients always provide the image. Anything interesting that was learned from the process in contrast? On the one hand, it is not as commonly collected by people we know, but then again, what you do is pretty unique. I collect and prepare colors for the pieces and get everything ready to start weaving, after that its just a slow and steady process of weaving the image from the bottom up. Weaving is a beautiful medium and can be used in so many different ways, it is a craft. Erin Riley’s work is vibrant, violent, beautiful, sad but above all honest. But, I spent most of graduate school trying to figure out how to make mixed media tapestries, dipping, burning, soaking, using many gallons of stuff you buy at Home Depot but inevitably evolved into weaving hand dyed wool tapestries on a floor loom. Most things in fine art are made by hand; we all develop our craft and mediums in various ways. This is Roy Lichtenstein's pop art painting, Basquiat's brilliantly-chaotic Charles the First painting. Great Fire of London: 120m replica of London skyline burned. If this was true, did you have an eureka moment where you turned to more provocative subjects? From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. American-born artist Erin M. Riley’s handwoven tapestries are as much works of self-poetry as they are a critique of how we, the public, engage with subjects such as domestic violence, sexual objectification, and stalking. (NSFW), Interview: Andrew Beccone - How a library turned into an artwork. A lot of other artists do similar work to yours by designing it digitally. Based in Brooklyn, Riley transforms found imagery from the Internet into meticulous hand-woven tapestries. I so glad that people enjoy many of the nude or scantily clad young ladies, but I am even more psyched when a college age girl comes to me and completely gets my perspective because we have both expressed our sexuality through images in text messages. Projects in 102 countries. There are topics that are really difficult that I want to work with but don’t think I could emotionally handle working with for days at a time. Yeah, so this is that time. ... She is also an ambassador for the Australian Indigenous Alpine Sport Foundation. Anything exciting coming up in the near future? Marshall McLuhan famously said, “the medium is the message.” How does the medium you choose to work with inform the subtext of the image? What does your mother think about your work? Saffiya Ansari, "Political, Powerful, Pink: NYC Gallery Spotlights Feminism at Frieze" Please join us on Pinterest, YouTube or Instagram. EMR: Throughout high school and my childhood I expressed myself through paint, and quite possibly if I had not found weaving I might still be working in a painting/collage/mixed media way, maybe mixing in some technology or digital mediums. Her textiles are undeniably interesting commentary on today's heavily instagramed sex, drugs, and mostly-dubstep youth culture. Erin is a recent graduate of Indiana University - Bloomington. Erin M. Riley is an artist who’s truly committed to portraying women’s sexuality and issues. Therefore, there is a learning curve initially but my work is quite easy to deal with. I always found it frustrating to balance “being sexy” with “bleeding for 5-7 days a month,” so it suits me better to bring it all out in the open. Tapestry allows images to be given more time, for hookups to gel, for mistakes to be thought over, its a way to over analyze every detail. Article by Romily Alice in London // Friday, Jan. 20, 2017. A lot of the imagery has stayed the same, self portraiture, objects of sexuality but in trying to combine two series I have incorporated images into my still lives. I then spent the summer weaving even more revealing images, going through a cathartic few months of living in my studio, weaving myself. I went to art school imagining I would be a painter, but weaving was something that I fell upon, and haven’t stopped doing since. Do you â¨get any negative feedback from people around you? At times deeply personal and honest, her work explores post party mishaps, social and sexual interactions of dating, death, pop culture and more. 72.9k Followers, 1,631 Following, 2,137 Posts - See Instagram photos and videos from erin m. riley (@erinmriley) About. 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